Motion

Our motion system is made with tools, ideals, and movement principles that create a recognizable identity across our video assets. It’s built from our brand’s foundation, containing elements that push the envelope and open the way forward for narrative building and storytelling.


Resources

Below are links to downloadable assets, guides, reference materials, and more. If you’re an external partner, you can download resources from the Brand Asset Library.

After Effects templates bp-round-locked
Otto (motion generative tool) bp-round-locked

Motion reel

This reel summarizes our different motion ideals and how our principles and movements come to life.

Motion ideals

In order to give purpose and meaning behind how our motion comes to life, we’ve developed four ideals. Motion ideals guide the creation of all our motion assets and designs. They help us inspire fresh thinking, establish shared themes, and differentiate our motion from other brands. Here’s a look at each ideal.

Weave seamless stories.

((1))

When creating anything with motion, think like a storyteller. In great stories every element — characters, settings, dramatic moments — exists within an invisible structure. In our motion design, diverse components such as type, messaging, photography, footage, and product should share a common thread that ties them all together.

Consider this:

  • Is there a narrative that unites these elements?
  • Is there a beginning, middle, and end?
  • Do actions trigger appropriate reactions?
  • Are the sequences logical and orderly?

Move onward, upward, and outward.

((2))

We aim to give people and businesses new ways to move forward. Each time we encounter something closed — a system, a way of working, or a frame of mind — we aim to open it up so everyone can have the momentum they need to keep moving. The basic behaviors of the Square motion system reflect this instinct in visual, kinetic form.

Consider this:

  • Does motion move left to right?
  • Does motion move bottom to top?

Consider this:
-> Does motion move in to out?
-> Do the moves convey a clear message?

Open the way for boundless journeys.

((3))

Our motion should eliminate complexity and reveal simple solutions that create time, space, and confidence for people in their work. Business owners seize opportunities; our role is to remove anything that blocks the way or derails that path forward. This sense of opportunity lives within everything we create.

Consider this:

  • Are sellers and buyers the protagonists?
  • Does the motion paint a simple picture?
  • Does it use pacing and spacing for effect?
  • Are you left with a sense of opportunity?

Clarity is key.

((4))

By highlighting the most impactful information — useful product features or content people can relate to and learn from — our motion assets should help business owners make the most informed choices for themselves. Making hundreds of small decisions every day has a big impact. We want to help make it easier for people in their day-to-day work.

Consider this:

  • Does motion help provide another layer of information?
  • Are the right details highlighted?
  • Do we frame up choices?
  • Could it help people make a decision?

Motion system

To bring our motion ideals to life, we developed a motion system with tactical actions you can use as you make video assets. Learn about the principles below, and use the After Effects templates to create new work.



Motion system

General principles

The basic transitional principles of our motion system can be simplified to two actions: cuts and smooth transitions.

Cut on (ease in)
  • When using the cut-on transition, carry through with the motion from the previous shot (if applicable).
  • Cut between elements at their peak speeds.
  • This technique can be useful to tie together two separate elements.
Cut off (ease out)
  • When using the cut-off transition, carry through with your motion into the next shot (if applicable).
  • Cut between elements at their peak speeds.
  • This technique can be useful to tie together two separate elements.
Smooth transition
  • When animating an element’s scale or position, use a shorter ease out than ease in.

Motion system

Offset motion and shared momentum

Depth and continuity are important traits in our motion system. Two ways we create a more open experience are through offset motion and shared momentum.

Offset motion elevates and softens basic actions, taking something that began as singular and flat and turning it into something layered and expressive.

Shared momentum can occur as the interaction between two elements in the same frame or from one piece of motion to the next through the use of match cuts. A match cut is a cut from one shot to another in which the composition of the two shots are matched by their action or form.

Offset motion

If you work with multiple lines of copy or multiple images, offset them in time. This softens the movement so it’s more expressive.

Shared momentum

Use motion to lead the viewer’s eye or to make a connection between elements.


Motion system

Frames

Frames provide focus within the content, transition between messages, and draw the eye toward the most important parts of the narrative.

Frame stack

Frame stack uses multiple still images or videos together to expand a narrative, to add more details, or to tie different parts of a story together.

Frame pan

Frame pan keeps all imagery at the foreground to make still photography feel more dynamic. This action can also work with live-action footage.

Frame pass

The back-and-forth nature of frame pass creates connections out of reactive movement to weave stories together.

Frame stretch (UI transition)

Frame stretch uses expands, uses outward motion, and opens the lens to inform the way we showcase responsive digital design. When possible, grow from the smallest form factor to the largest.

Frame split

Frame split transitions from a message to an image with an overlay that highlights product functionality.

Frame draw

Frame draw uses a draw-on transition to frame up visuals and create focus within the story.


Motion system

Typography

Type presets give dynamic movement to our messaging. These 12 presets show how type cycles, shifts, and appears in all kinds of ways that add impact.

Type rise (smooth)

Type rise (smooth) uses upward movement to help visualize and add interest to lists.

Type rise (cut)

Type rise (cut) uses upward movement to help visualize and add interest to lists.

Type rise (mask)

Type rise (mask) helps connect two headlines through upward movement within the same line. It also adds a compelling design element to otherwise simple copy.

Gather weave

Gather weave uses staggered delivery of a message to create anticipation and emphasis. It also allows you to show how multiple lines of a message can work together or be broken up to strengthen your point.

Gather cluster

Gather cluster brings various elements together to evoke unity and to get at the idea of Square bringing work, payments, or people together.

Gather mask

Gather mask helps emphasize specific parts of a headline by animating text in tandem with corresponding images. It establishes cohesion between words and visuals, and it helps tell a well-rounded story.

Lower-third card

The lower-third card is used on top of visuals with complex backgrounds so the copy is always legible.

Push up

Push up lets you fuse imagery and copy together by emphasizing part of a sentence or message with a key visual.

Push out

Push out breaks a word with an image that appears at the center. This adds a dynamic element that moves the narrative forward.

Type cycle

Type cycle uses perpetual movement with numerals and symbols to show a change in value. The numerals can be monetary amounts, percentages, etc.

Type plot

Type plot cuts movements short but creates a dynamic visual through sequence and timing of the motion across the animation.

Type mask

Type mask uses typography as a container or an entry point for footage. This is an effective transition tool that can create depth, pushing the viewer forward along the z-axis.


Motion system

Sequence

Sequence presets are key to creating good motion assets. These presets establish flowing narratives and help take the viewer from one aspect of a story to the next.

Match cut type

Match cut type moves from one phrase to another matched by their action or form. This is used to create more dynamic motion elements when you don’t have live-action footage to work with.

Match cut image

Match cut image moves from one image or video to another, matched by their action or form.

Grid spread

Grid spread uses a collage of images or videos to tell a larger story of sellers, the details of a business, or any narrative that could benefit from showing rather than telling.

Grid spread (reversed)

Grid spread (reversed) is the same as grid spread, just in the opposite direction.

Seller start

Seller start puts sellers first by showing product UI they might use in their day-to-day operations.

Seller end

Seller end brings the focus from the product or functional visual storytelling back to the seller in order to end the motion piece on a personal note.


Motion system

Whether it’s used at the beginning or the end of a piece of content, the Square logo should play as much a role in leading or continuing the story as the rest of the motion narrative. In this example the Jewel enters, reveals the wordmark, and continues its movement. Open Motion is not about hard stops or dead ends. It’s about ongoing stories, endless possibilities, and always moving onward.

Note: Do not edit the animation of any logo action so we may maintain brand consistency across all outputs.

Otto (motion generative tool)

Otto — our own web-based motion builder — lets anyone at Square create branded motion assets on demand. It’s not a replacement for Adobe After Effects, Celtra, or Bannerfy. Rather, it’s a tool that helps create quick, simple motion assets without the need of a professional video editor.


Otto (motion generative tool)

How Otto works

Otto features preset canvas sizes, a variety of motion options, a built-in editor, and various export file types. Here are the basics for each category within the tool.

Presets

Sizes and aspect ratios are based on the ones we use most commonly at Square:

  • 1920x1080 (16:9)
  • 1280x720 (16:9)
  • 960x540 (16:9)
  • 1200x900 (4:3)
  • 1080x1080 (1:1)
  • 540x540 (1:1)
  • 1080x1920 (9:16)

Otto (motion generative tool)

Examples from Otto